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An ESL / EFL Online Gap-Fill Quiz on Much Ado About Nothing

Much Ado About Nothing is a 2012 American adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball romantic comedy written, adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball, and directed by Joss Whedon. It is adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball on William Shakespeare's play of the same adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball. It was filmed in black and white at Whedon's home in California over a adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball of 12 days. The cast and adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball were informed to keep the adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball a secret until production was finished. Whedon explained his adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball interest in the project, saying: "I fixated on this notion that our ideas of romantic love are created for us by the society adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball us.…It’s a very cynical, romantic text about love, and how we behave, and how we’re expected to behave. It’s a party, but there’s something adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball there as well."

Much Ado About Nothing has adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball generally positive reviews from critics, earning a 79% approval adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball on Rotten Tomatoes. John DeFore of 'The Hollywood Reporter' said: "More than most adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball, this is a film true to Shakespeare's practice of employing all adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball at hand to adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball the crowd entertained". A.O. Scott of the 'New York Times' said the film was, "perhaps the liveliest and most adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball delightful movie I have seen so adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball this year" and that it, "draws out the essential adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball nature of Shakespeare’s comedy". He added: "Whedon’s film crackles with a busy, slightly wayward adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball that recalls the classic romantic sparring of the studio adaptationsaroundbasedcrewdarkerenergyerafarindependentinitialkeepmeansnameperiodproducedprojectpurelyratingreceivedscrewball."